I had the chance to do some time-traveling this week, playing Judas in Maundy Thursday and Good Friday services at St. Luke's. The services included selected songs from the 1970 rock opera "Jesus Christ Superstar," along with a more traditional choir hymn or two, remarks about the musical (penned by me), and some "sermon light" material from the two ministers.
To say I have had a long relationship with the Lloyd-Webber/Tim Rice musical would be an understatement. The album preceded the stage version and I spent so many hours listening to the LPs and eventually memorizing the lyrics to most every part. I did most of this while living in my parents' basement between driving to Cedar Rapids to Kirkwood Community College for college classes -- the result of me flunking out of Carthage College after my freshman year (68-69). That's a long and chaotic story for another time, but my appalling GPA meant only a community college would accept me. Kirkwood had one brick and mortar building then, plus dozens of temporary units scattered over what is now a thriving campus.
So I spent the 69-70 school year back living in the basement with a trusty record player and plenty of time on my hands.
Bottom line: I have been a fan of the musical for nearly 54 years. It's become part of my DNA, so to speak.
Imagine my surprise when, in the fall of 2004, St. Luke's members and friends were told that there would be auditions in early September for the stage musical of JCS, to be performed by the Wesley Players theater company, which had been producing various shows since 2000 (two years before we moved to Colorado).
This may say more about me than is wise, but Judas was always my preferred character in the show. He is the antagonist to Jesus as protagonist, technically, but Judas gets some great songs, with lots of emotion and rock 'n' roll vocals. In many ways, Judas is the main character.
A slight issue was that I had never been in a stage musical or play, my only performing experience being as lead singer for a little college band (one of the reasons I flunked out of school). But the musical director and now long-time friend, Jim Ramsey, was surprised in a positive way when a somewhat timid tenor from the church choir demonstrated some rock talent. I got the part.
That show was the first of what would grow to many roles in musicals through the Wesley Players, but it remains my favorite... partially because there are no lines to memorize and I came to the role without any anxiety about simply remembering the words. We did four shows that November and I always say I was the oldest and whitest Judas ever. Another guy who became a friend, Patrick Griggs, played Jesus, and we have supported each other in various shows ever since.
Church choirs are not known for their rock voices, it turns out, and Patrick and I share the background of starting as rock singers, capable of more traditional musical theater roles.
Since 2004, St. Luke's has returned to JCS three more times. First, selected songs were combined with parts of a more traditional requiem which produced a mash-up "Requiem for a Superstar." In 2019, the church again used selections from the show, this time along with some material written by me (as designated "expert" in the musical). Patrick and I reprised our roles in both of those... and this week we "resurrected" that approach yet again. Patrick just turned 65, so it could be called the Medicare version of the show.
Each service was a little over an hour and featured about six songs, with "The Last Supper" ending the Thursday service (and leading directly to communion) and also beginning the Good Friday service (leading directly to "Gethsemane," Jesus's big number).
The time-traveling applied to my singing, which was a bit strenuous for a 73-year-old without any voice training, but I did OK, at least according to my bride and lots of others who mostly seemed shocked that an old, white-haired guy could hit those notes. Honestly, I was confident... singing those songs ONCE.
There were a few moments where I felt much younger, if only for a few fleeting moments. I walked away from Good Friday smiling. Maybe not the traditional response to such a dark day.
But that's what happens when you are time-traveling.